Sunday is studio day

I remember when I was just a little Emily, maybe 10 years old. I looked up the meaning of my name in a book, filled with definitions of flowers, oceans and honey bees. And then I found it. Emily! Completely deflated in that moment, as I read the word ‘industrious’. What the actual f@*k?! Who names their baby after a factory? Mum. And Dad.

It took years to process this information. And I questioned their brick and smoke stack decision for many years. Until now. Now I’m ready. Ready for industry. Ready to be industrious.

Today was a great day, blissed out on ink fumes, while being absolutely Emily. Industrious.

Didn’t get any washing done. Let the chickens free range instead of feeding them. Didn’t mop the floor. And most definitely did not qualify for a 10,000 step kind of day. Did I mention my pyjamas? They stayed on way longer than they should’ve too. 

I had made a few mid week carves and come up with two Lino cuts and was pretty keen to see how they turned out.

This one was first. And surprise… it’s me. It is. Morning functioning is not my thing. Unless, coffee. I’m lucky to have a partner who knows this, and delivers one every morning to the cranky, bleary eyed monster that I am in the a.m.
The next one – a little more depth involved. I have been drawing up a storm over the last month. Filling pages with parts of me, once upon a time.

 In this one I was remembering, the absolute agony of the loss of a great love. Remembering the feeling of cushioned lips pressed on a warm forehead. The forehead kiss gives the gift of many things; calm, comfort, patience, respect, adoration, preciousness and love that seems truthful and unconditional.

Heavy and light hearted – one balancing out the other.

A Sunday session ensued, slowly reclaiming my studio from being a Winter snuggle space to a Spring hang – taking the tape down in one long strip that had lived firmly for 6 months between the joins of the doors to keep the chilly drafts of  minus degree months out.

With these two cuts in tow, I inked up and waited for the ultimate treasure to reveal itself. Printing is like opening birthday presents, taking a blindfold off after whacking the belly out of a piñata. The uncertainty and following reveal is a bit of a high that I don’t usually experience on a Sunday morning. Noted….aaaaand happening again soon, make no mistake.

Found me some Mansionair and rolled like the dickens to reveal these treasures. I pegged them up to dry and drew up my next batch.

‘Exit song’ October 2016

‘Remedy’ October 2016

The weekend {making, treasure}

I started drawing. I had found a tin of pastels given to me by my parents when I was just 16. I treated them like gold, and didn’t like the idea of sharing them just incase there might be an accident that involved one of these babies snapping in half. I moved to the side wall of my house with this tin in my hands. I opened it, remembering the feel of these familiar friends.
I spent hours drawing as a child – and it’s been a while since I’ve drawn something of this scale.

I didn’t actually mean for this to happen. It just did.

Eyes, nose, mouth, freckles – she must have freckles. I have freckles.

Them I added a flower, and another, and another. And then some more.
I love her. When the rain comes – she’ll be gone.

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Hebe – the Goddess of eternal youth and Spring.